Transitions, Fractures, and Fragments
Michael Ovens: Editor’s Foreword
Themed Articles
Marina Gerzic: When Dylan Met the Bard: Fragments of Screen (Sound) in Michael Almereyda’s Hamlet
Non-Themed Articles
Richard Firth-Godbehere: For ‘Physitians of the Soule’: The roles of ‘flight’ and ‘hatred of abomination’ in Thomas Wright’s The Passions of the Minde in Generall
Michael Edward Stewart: The Andreios Eunuch-Commander Narses: Sign of a Decoupling of Martial Virtues and Masculinity in the Early Byzantine Empire?
Kathrin Bartha: Grotesque Encounters: Reading Shakespeare’s The Merchant of Venice along the Principles of the Sublime, Beautiful and Grotesque
Sheilagh Ilona O’Brien: A ‘Divellish’ Woman Discovered: The Witch of Newbury, 1643
Alana Bennett: ‘For musike meueþ affecciouns’: Interpreting Harp Performance in Medieval Romance
Appendix: Video 1 Video 2 Video 3 Video 4
Reviews
Ruth M. Oldman: Review: Brepola Periodica and Miscellanea Online
Marina Gerzic: Review: Small-Screen Shakespeare
Stephanie Hathaway: Review: The Books and the Life of Judith of Flanders
Vanessa Wright: Review: Sexual Culture in the Literature of Medieval Britain
Alana Bennett: Review: Middle English Texts in Transition: A Festschrift dedicated to Toshiyuki Takamiya on his 70th birthday
Kelly Midgley: Review: Before Orientalism: Asian Peoples and Cultures in European Travel Writing, 1245-1510
Featured Image: Scenes from the Story of Abraham, front panel, silk embroidery on linen, mid-17th c, The Met Museum, Accession Number: 64.101.1306.
